Something you may not know about me:
I like to work in my studio alone. It helps me focus, especially when I’m working on a more challenging aspect of a painting. I do have “roommates,” though, and occasionally a cat will be asleep on my lap while I paint. These moments are short, as cats tend to change their sleeping areas throughout the day, but has become an almost daily occurrence. So this is a photo from my vantage point behind the easel.
Some think that as a “new” artist, you have to start selling your art very low until you start selling like crazy, then you can raise your prices. A lot of people would multiply the width by height of their art and that number would be the price. Or if you’re “good,” you can then multiply that by 2. What?
While there is some truth to starting out small when you are a new artist, it is absolutely ridiculous to think that a painting that took 40 (or more) hours to create should be worth a paltry amount. Not to mention supply costs, packaging and shipping costs, and any other fees such as to your photographer or web designer. Starting out, you won’t be able to recoup all of your costs, but that doesn’t mean you have to fall that short of doing so.
For the most part, I have yet to see any emerging artist overcharging for their work. It’s usually the opposite.
Why is it that when we make something by hand, it must be cheaper than anything else? Why are we willing to shell out more for some mass-produced, made-in-china crap than for something created, an original mind you, by a “starving” artist? And why do artists feel that their work isn’t worth it? Is it lack of confidence? Is it because the grass is greener on the other side? Whatever the reasoning, it needs to stop.
Be proud of your work. It’s the only one in the world. There are no others. It’s unique. And you made it yourself. It was created from your imagination and unwavering dedication. You spent endless hours sketching it, then actually producing it, forgoing weekends or holidays off, and time with your family just to finish this one piece of art. Why settle for less? Be confident in your work and the rest will follow.
My painting Sentient has recently found a new home. It is an acrylic on canvas, 6″ x 6″ from my In Our Veins series. It is also a companion piece to my painting Conscience. The connection of all life, whether on an emotional or biological level, is a common theme in my work. View more from this series here: http://amyguidry.com/wild_west.html.
I have a few photos of my current painting in progress. With the size and background on this, it is one of my more involved pieces. As with all of my paintings, I start off with a basic sketch onto the canvas.
Then I add a rough first layer of paint just to work everything in and then add numerous subsequent layers, building color and value as I go.
I’ve recently added two new paintings to my In Our Veins series. Both were just featured in my newsletter which you can get here. Unite is an acrylic on canvas, 4″ x 4,” and Lifeblood is also an acrylic on canvas, 4″ x 4″, $100 each. View the paintings online (as well as the rest of the series) here http://amyguidry.com/unite.html and here http://amyguidry.com/lifeblood.html.
I’ve recently finished a new painting which has also found a new home to a new collector! Transitory is an acrylic on canvas, 4″ x 4″ and comes from my In Our Veins series. View the series online here: http://amyguidry.com/wild_west.html.
A couple of photos of my latest painting in progress. This will be the latest addition to my In Our Veins series. After marking the center line (even though the figure won’t be completely symmetric), this is the sketch on canvas.
Then I roughed in the first layer of paint and started working on the details of the face. It is an acrylic on canvas, 6″ wide by 8″ high. I’ll be posting the finished painting soon!