September Artwalk
This weekend's 2nd Saturday Artwalk for the month of September (Saturday, Sept. 11th) honors Elemore Morgan, Jr. The State of Louisiana has declared September 18th, Elemore Morgan, Jr. Day and will be commemorating this special designation with grants awarded by the Elemore Morgan, Jr. Visual Arts Endowment and a special reception during the Fall Fest event on September 11th's Artwalk. Galleries are hosting special exhibits as well. The event starts early this month- from 4-8pm.
Acadiana Center for the Arts- 101 W. Vermilion St. / 337-233-7060
Main Gallery: August 14 - September 25, 2010- Michel Varisco: Shifting
Side Gallery: September 11 - October 1, 2010- Louise Guidry
Vault Series: August 14 - September, 25 2010- Kelly Guidry
Architects + Artists- 200 Jefferson St. / 337-232-0000
Cajun Spice- 535 Jefferson St / 337-232-3061
Cité des Arts- 109 Vine St. / 337-291-1122
Galerie Eclaireuse- 535 Jefferson St. / 337-234-5492
Gallery 549- 549 Jefferson St. / 337-593-0796- "Brush With Hope"- group exhibition to benefit the Jacob Crouch Foundation for the prevention of suicide
Gallery R (at The Russo Group)- 116 E. Congress St. / 337-769-1530
Pottery Alley- 205 W. Vermilion St. / 337-267-4453
Sans Souci Fine Crafts Gallery- 219 E. Vermilion St. / 337-266-7999
Whoojoo Stained Glass- 532 Jefferson St. / 337-269-9310
Field of Dreams

Artist Amy Guidry with her work at the Slidell Cultural Center at City Hall
No one cares about your art more than you do. It's true. It's not unlike showing your vacation photos to everyone. They mean well, but after about two minutes, the enthusiasm wears off and their eyes glaze over. I was inspired to write this after going through some old art magazines to clear out the mountain of periodicals I've saved. I came across a rather disheartening article in a very popular magazine. The author was giving advice on how to be a successful artist. Some of the author's tips? Paint what sells- not more "complex" paintings, don't bother showing in libraries or university galleries since they don't generate sales (museums usually don't either, but I don't know an artist alive that wouldn't jump at the chance to show in a museum), and sell on Ebay- specifically bright, colorful, quick paintings- no drawings. Even I know better than this and I found it depressing! I can only imagine what other artists must think.
So this is what leads me to my frustration. I don't care who they are or if they mean well, no one truly cares about your art or your art career as much as you do. This is why you are the only one that can determine what your goals are and if, at the end of the day, you've done all that you can to achieve those goals. Don't listen to the naysayers, the haters, the critics, the cynics, or the non-believers. What do they know anyway? Even some of the experts can't always predict what you, personally, need to do. That's why it's up to you to take in all this information and filter through it and find what is applicable and toss away what's not. You know what you need to do. You know if your work is the best it can be. You know what you should create. If you try to "paint what sells," you'll be chasing your tail for quite some time. Popularity changes as do marketing trends. Something that sells one day, won't the next. That's why there are trend analysts that make a living at this. Great work is great work and it will attract its own popularity. And while I'm at it- if you were to avoid university galleries, libraries, museums, or any other venue for fear of little to no sales, you wouldn't be an artist, would you? I couldn't imagine not having the experience of seeing art, especially when I was a student, at a university gallery or museum. Some of the most significant shows of our time come from these venues.
In my own personal experience, I've heard it all. I've been told what I should paint, how I should paint, and I've even had a drunk non-artist tell me what is and isn't art. When I made the decision to paint and to try to get into a gallery exhibit, even one of my "good" friends told me that I couldn't do it. It's a good thing I didn't listen to any of these people, otherwise I may not have even been an artist at all. Anyone listening to that kind of advice would quit before even starting. Don't make that mistake. If you're already a working artist, just keep on trucking. If you're just starting out, stay focused and put your blinders on. And maybe invest in some good ear plugs.
Being a true artist takes grit. There's a lot of blood, sweat, and tears, and you'll need to develop a thick skin. However, I can't imagine a more rewarding experience. I always like to think of these words by Ralph Waldo Emerson: "Nothing great was ever achieved without enthusiasm."
If you'd like to learn more about my own work and what I've been up to, check out my website at www.AmyGuidry.com.
Approaching a Gallery (in a few easy steps)

Amy Guidry's painting "Food or Pet? How Do You Decide", Wally Workman Gallery, Austin, TX
I get a lot of visits to my website. Most of those are from people genuinely interested in my art. But then there are those that are not. Now, don't get me wrong, I LOVE to hear from people. I love to answer questions- really, I can give you numerous examples. And I help out those that ask me for my advice, opinion, etc. However, on occasion I get an email from someone that clearly did not look at my site or if they did, they decided to ignore it. So in this post, I'm going to take a recent inquiry and use this as an educational opportunity. (Don't worry, I'm not outing anyone.)
How to approach a gallery: (Note- for those that keep assuming I'm a gallery- I'm not- so please don't ask me to show your work)
First, do your homework. Check out galleries that you think may like your work. Never just blindly send out your portfolio, resume, what have you to a gallery without determining if they're the right fit. And this should go without saying, but be sure that they are a gallery! Attend openings, meet curators, dealers, gallery owners and directors. If you can't physically make it to a gallery, at the very least, you should check out their space online. Get to know the artists that they show. Can you see your work fitting in with a group exhibit of these artists?
Once you've determined which gallery or galleries you are interested in, you should prepare your presentation. These days, email is so common (sometimes it's preferred) that I think it is okay to submit your work via email. However, if a gallery has a submissions policy, be sure to abide by that. If not, they'll toss your work in the trash. If the submissions policy is not a clearly stated link on their website, try looking under the Contact Us page. If there is absolutely no information, contact the gallery for their guidelines.
Whether you submit your work via email or postal mail, be sure that your presentation is professional. First, get the name of the person you need to contact. Whether it's the director, the curator, or the manager, find out their name. I know from personal experience, many just blindly send an email without even acknowledging my name. Why would I want to show their work (again, I'm not a gallery, but let's pretend for a second) if they don't even know who I am? So find out their name. Google it, ask someone, or contact the gallery itself- just find out!
The rest is easy. This is where you should put together your bio and/or resume, portfolio, and any other relevant information. You should have all of these at your fingertips already, but if not, now is the time to start. Make sure that all of your information and images are up to date. And be sure to spell check! It's the little things that matter, so be sure to dot your i's and cross your t's.
If you send your information via email, be sure to use small image files. If you load down their inbox, they won't be happy or they may not even receive your information at all. It could bounce or end up in a spam filter. So keep it small- 4MB total is best.
Sounds simple, and it really is if you keep everything up to date, but I'm surprised by how many artists don't follow these golden rules. Again, if you have any questions, don't hesitate to contact me. www.AmyGuidry.com
August Art Walk

Installation view of Amy Guidry's work at The Alamo, Lafayette, LA
Two posts today... lots going on, but I wanted to inform everyone of Lafayette's Artwalk schedule for this month. Artwalk happens this Saturday, August 14th in downtown Lafayette, LA. Gallery showings are as follows:
Acadiana Center for the Arts- 101 W. Vermilion St. / 337-233-7060
Main Gallery: August 14 - September 25, 2010- Michel Varisco: Shifting
Side Gallery: August 14 - September 4, 2010- Rajko Radovanovic: Last Line of Defense
Vault Series: August 14 - September, 25 2010- Kelly Guidry
Cajun Spice- 535 Jefferson St / 337-232-3061- Tina Thibodaux: Reflections
Cité des Arts- 109 Vine St. / 337-291-1122- 23 Photographs by Angelle-Leigh
Galerie Eclaireuse- 535 Jefferson St. / 337-234-5492- "Louisiana Landscapes" group show featuring the work of Erin Chance-Fenstermaker, Pegi Derby, Colleen McDaniel, Jane Noble, Steve Schneider, Jon Schooler and Dennis Sipiorski
Gallery 549- 549 Jefferson St. / 337-593-0796- Donald LeBlanc- "Landscapes and Little Head Totems"
Gallery R (at The Russo Group)- 116 E. Congress St. / 337-769-1530- Artwork of Michael Russo
Pottery Alley- 205 W. Vermilion St. / 337-267-4453- Art Under Wraps
June Artwalk Schedule

From my exhibit "Face to Face" during Artwalk at Artists + Architects
Time has flown by so quickly, I almost forgot to post this month's Artwalk schedule. Second Saturday Artwalk in downtown Lafayette, LA starts this weekend- June 12th. Some galleries are open as of 5 (though I think the official start time is 6pm) and will remain open until 8pm. And this is a free event!
Acadiana Center for the Arts- 101 W. Vermilion St. / 337-233-7060
Main Gallery: Through July 24, 2010- Southern Open 2010
Side Gallery: June 12 - July 2, 2010- Kent Hutslar Memorial
Vault Series: Through July 24, 2010- Pat Juneau
Cajun Spice- 535 Jefferson St / 337-232-3061
Anne Bulliard Crownover Glasswork & Mosaics
Cité des Arts- 109 Vine St. / 337-291-1122
West Coast Feelings Collection: Los Angeles to Lafayette 2010 works by DGeyrald
Galerie Eclaireuse- 535 Jefferson St. / 337-234-5492
Paintings by Steve Schneider, Dennis Sipiorski and Ruth Sipiorski
Gallery 549- 549 Jefferson St. / 337-593-0796
Frederic O. Daspit- New Sculpture
Gallery R (at The Russo Group)- 116 E. Congress St. / 337-769-1530
Lynn Eustace Sanders- "Collaborative Color"
Pottery Alley- 205 W. Vermilion St. / 337-267-4453
"The Spirit of Haiti"- steel drum art by Carlo Brutus
Sans Souci Gallery- 219 E. Vermilion St. / 337-266-7999
"Drawn to the Stage"- A Collection of Drawings by Elemore Morgan, Jr.
*Not part of Lafayette Artwalk, but as a reminder, I am currently showing in Columbia, LA at the Schepis Museum. My exhibit, "New Realm," is up now through June 30th. Admission is free and the museum is open Tuesday through Saturday from 9-5pm. View photos from the opening at www.AmyGuidry.com
May Downtown Artwalk

Acadiana Center for the Arts
In addition to Mother's Day, this weekend is also the Second Saturday Artwalk in Downtown Lafayette, LA for the month of May. This Artwalk will feature work from students of the Lafayette Parish School System and the Talented Art Program in several galleries and restaurants around the downtown area. As a former Talented Art Program student from the New Orleans area, I can attest to the importance of such a program and it's impact. So be sure to come out and see what future professional artists are doing in our community! As promised, here is this month's schedule:
Acadiana Center for the Arts -101 W. Vermilion St. / 233-7060
Main Gallery: May 8 - July 24, 2010 Southern Open 2010
Side Gallery: May 8 - June 4, 2010 Jeremiah Ariaz: Tucumcari
Vault Series: May 8 - July 24, 2010 Pat Juneau
Architects + Artists Gallery- 200 Jefferson St. / 234-4166
Artwork by students of the Lafayette Parish School System's Talent Art Program
Cajun Spice- 535 Jefferson St / 232-3061
Eclectic Chairs, Mosaics and More by Tanya Falgout through May 31
Cité des Arts- 109 Vine St. / 291-1122
Artwork from the local talent in our Lafayette Parish Schools.
Galerie Eclaireuse- 535 Jefferson St. / 234-5492
Sue Boagni and Paul Schexneider
Gallery 549- 549 Jefferson St. / 593-0796
Frederic O. Daspit - New Sculpture
Gallery R (at The Russo Group)- 116 E. Congress St. / 769-1530
Exuberance: The Art of Coyo
Helpful Hint- Boosting Your Publicity

May issue of Art Calendar Magazine- my profile is featured on pg. 44
One question that I seem to get repeatedly as an artist, and not from viewers but from other artists, is "how do you get your work published?" On my website, you will find a Press section in which I post articles in newspapers, magazines, and sometimes online articles about my work. (Take a look at www.amyguidry.com/press.htm) If I had to estimate, I would say that 70% of those originated because I notified writers and editors about my exhibits or announcements. (For the record, Art Calendar's Louise Buyo contacted me- I just got lucky on that one!) Of course these days, press is viral, so if one blog or paper publishes you, another will then post something. I've had that happen a lot as well, which I did not directly influence. Anyway, I want to give you some helpful information to boost your own publicity.
First, assuming you already know what you want to promote, make a list of your local media. If it's an out-of-state show, you should also do some research and find their media contacts as well. Get some double-duty out of your efforts. Once you have your media contacts, and I mean actual people, not just the name of the newspaper, etc., you can start writing your press release. I'm no writer, (yes, ironic since I have a blog...), but I always write a press release when I have a show or a big award or something I think the general public may find interesting. In your press release, which I like to limit to a one-page letter for expediency, you should give the usual- who, where, when, how, and why. But whatever you do, don't write a bland description covering all these bases. I know, you're thinking, "but isn't that the writer's job- to spruce things up?" Yes, BUT there is a lot of news out there in the world, and especially for newspapers, it has to be covered quickly on a daily basis and they don't have enough writers to possibly cover everything. This means you need to get their attention with something that sounds too great to not write about and make it easy for the writer to get all their information in the least amount of time possible.
So, here's how to do it: You need a pitch. You can't just write, "I am having an exhibition this Saturday at the Big Time Art Museum." Start brainstorming. What reasons do you have for the public to find this interesting? Think in terms of impressing not just your writer or editor, but the public as well since that's who you're ultimately trying to impress. Think of what would matter most to the public. What is the most significant factor behind your news? How will it affect the public? Think of this as telling a story, not just spewing facts. And I don't mean lie or exaggerate, I'm saying give your letter meaning.
Once you have your letter written, and no, it won't be easy, you can then add to your press release by including images. Either photographs, or a CD, or a brochure- just something with images pertaining to your news. A CD may be best since the writer can automatically use images from it, but if you can also offer to email high-resolution images. Oh, and be sure to send all of this to your media prospects well in advance of your event. I have found that it can take up to 3 months to get coverage, so the sooner the better. Depending on the publication, they may be booked for awhile and not able to fit your story in on short notice. Regardless, give at least a month's notice to ensure at least some coverage.
Don't be discouraged if you don't hear back right away... or at all even. Sometimes it takes a few tries, especially if you are unfamiliar to the media. Be persistent (and patient!). Questions? Feel free to ask. Comments? Let me know. www.AmyGuidry.com
Second Saturday ArtWalk Schedule

"Artist Amy Guidry with Gallery 549 Director Don LeBlanc"
I think you should give the people what they want, and I have noticed as of late searches to my blog for info on the Second Saturday Artwalk in Lafayette, LA. So since I am a regular attendee and sometimes exhibiting artist of the ArtWalk, I thought I should provide a schedule for this month.
The April Artwalk is in conjunction with Festival International, so there are some special performances listed. Kind of short notice, but all of this will take place TOMORROW- April 10th.
6:30pm-8:30pm Recycled Cycles Trio Del Rio
6pm-8pm in front of Green Room Rhythm/Soul & Kabuki Kru with special guests Desert Shadows Belly dancers, DJ Dokda J, DJ Prima & DJ Andino
6pm-6:30pm & 7pm-8pm Jefferson St. Market Les Djembles (8 drummers playing West African Rhythms)
6:30pm-7pm Parc de Lafayette The Ryan School of Irish Dance
6pm Corner of Polk & Garfield on Marley's side Lafayette High Arts Academy (street theater)
6pm-8pm in front of AcA For the Moment (Barbershop Quartet)
6pm-8pm Gallery Sans Souci Nouveau String Band
6pm-8pm Strolling along Jefferson St. Sweet Olive
Acadiana Center for the Arts- 101 W. Vermilion St. / 233-7060
Main Gallery: Through April 24, 2010; Susan Shaw: Moving Violations
Side Gallery: April 10 - 24, 2010; Festival Poster Artist: M. Craig "Whoojoo" McCullen & Bonnie Camos
Vault Series: Through April 24, 2010; Emily Wortman: Out Of The Rice Fields
Art House Circle Gallery: March 30 - April 10, 2010; LJ Alleman Student Showcase
Cajun Spice- 535 Jefferson St / 232-3061
Eclectic Chairs, Mosaics and More by Tanya Falgout April 10 through May 31
Cité des Arts- 109 Vine St. / 291-1122
Vestiges and Songs From a Room, two exhibits by Caroline Goodell
Galerie Eclaireuse- 535 Jefferson St. / 234-5492
Sue Boagni and Paul Schexneider
Gallery 549- 549 Jefferson St. / 593-0796
April Group Exhibition featuring works by over 20 local artists
Gallery R (at The Russo Group)- 116 E. Congress St. / 769-1530
Les Ailes: The Art of Reggie Michael Rodrigue
Pottery Alley- 205 W. Vermilion St. / 267-4453
Esprit du Fest- Jessica Odell Courville
Gallery Hopping

Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery
I came across an article the other day in the October 2009 issue of Allure magazine that I wanted to share. Their "Insider's Guide" series usually takes on interesting topics with a sort of "how-to" approach. I found this one particularly interesting since it deals with art. Rory Evans wrote the piece "How to Visit an Art Gallery" which can be found online at http://www.allure.com/howtos/2010/01/visit_art_gallery. Silly as it may seem, there are many people that have never even set foot in a gallery before and honestly are intimidated. You don't need to wax poetic about art or philosophy in order to attend an opening or visit a gallery on your own time. Just as anyone can appreciate music or film, the same goes for the visual arts. I can't play an instrument, but I like Mozart. There's no harm in that.
So here are some basics. First, galleries are free to visit. You are under no obligation to buy anything and you don't have to pay to enter. (Museums usually have an admission cost or a suggested admission cost, but it won't break the bank.) Galleries are generally open Tuesday through Saturday. Openings are generally held on weekends, usually the first or second weekend (be it a Friday or Saturday) of the month. Openings are held in the evenings in most cases, and are late hours with a high attendance. During the week it will be quieter, so you will have more opportunities to focus on the art and even stand back and view the work as a whole.
Galleries and museums both offer work for sale, but not all work is for sale in a museum. So if you are looking to buy, you have more options with galleries. They also change their shows on a monthly basis (for the most part), so there is always something new to see. Galleries will also introduce you to more "new" artists that may not have had as much exposure yet, whereas museums usually grant shows to more established artists.
Understanding the art does not require the Rosetta Stone. For starters, there's usually an artist statement posted in the gallery whenever there is a show. The artist statement is written by the artist and is their personal account for their work. This will give you a good general idea about the roomful of work you see. It goes without saying, but also take into consideration the name of the show and the titles for the individual artworks. Many artists will admit that there are multiple interpretations of their work and that's perfectly normal. You may see something different than the artist, or maybe you can add to what the artist feels. There's no right or wrong answer. No one can tell you how to feel or what to feel, that's your interpretation to make. All the artist can do is provide you with the information. And even if you do not have the opportunity to meet with the artist personally, you can always ask someone that works for the gallery. As for this artist, I am always open to questions, so feel free to contact me at www.AmyGuidry.com.


