Tag Archives: “exhibition”

Next Stop

"Freedom" by Amy Guidry; (c) Amy Guidry 2010
"Freedom" by Amy Guidry; (c) Amy Guidry 2010

If you’ve been following my blog, you may recall awhile back that I was to have a show at the Schepis Museum in Columbia, LA. Well, since that show had been planned a year in advance, and a lot can happen in the meantime, there were renovations being made that turned into a bigger project than expected. So my show had to be postponed. Well, I am happy to say that the time has come and my exhibit will open next month at the Schepis. This will be a solo exhibition of my New Realm series. This series has been in several locations in Louisiana, as well as Austin and Las Vegas. No two shows have ever been the same since works are sold and replaced or new work has been added by the time another show opens. So on and so forth.

The exhibit will open next month- May- and be open through the end of June. With a two-month display time, this should give many of you a chance to see the work in person. I can’t stress enough that I have to use low-res, small images on the web (thanks to copyright infringement), so seeing my paintings in person is a whole other experience. The opening reception will be held on Sunday, May 30th from 2-4 pm.

Many works from the New Realm series can be seen online at www.AmyGuidry.com. While you are there, be sure to check out my Press section for an article in the current issue of Art Calendar Magazine about New Realm.

Gallery Hopping

Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery
Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery

I came across an article the other day in the October 2009 issue of Allure magazine that I wanted to share. Their “Insider’s Guide” series usually takes on interesting topics with a sort of “how-to” approach. I found this one particularly interesting since it deals with art. Rory Evans wrote the piece “How to Visit an Art Gallery” which can be found online at http://www.allure.com/howtos/2010/01/visit_art_gallery. Silly as it may seem, there are many people that have never even set foot in a gallery before and honestly are intimidated. You don’t need to wax poetic about art or philosophy in order to attend an opening or visit a gallery on your own time. Just as anyone can appreciate music or film, the same goes for the visual arts. I can’t play an instrument, but I like Mozart. There’s no harm in that.

So here are some basics. First, galleries are free to visit. You are under no obligation to buy anything and you don’t have to pay to enter. (Museums usually have an admission cost or a suggested admission cost, but it won’t break the bank.) Galleries are generally open Tuesday through Saturday. Openings are generally held on weekends, usually the first or second weekend (be it a Friday or Saturday) of the month. Openings are held in the evenings in most cases, and are late hours with a high attendance. During the week it will be quieter, so you will have more opportunities to focus on the art and even stand back and view the work as a whole.

Galleries and museums both offer work for sale, but not all work is for sale in a museum. So if you are looking to buy, you have more options with galleries. They also change their shows on a monthly basis (for the most part), so there is always something new to see. Galleries will also introduce you to more “new” artists that may not have had as much exposure yet, whereas museums usually grant shows to more established artists.

Understanding the art does not require the Rosetta Stone. For starters, there’s usually an artist statement posted in the gallery whenever there is a show. The artist statement is written by the artist and is their personal account for their work. This will give you a good general idea about the roomful of work you see. It goes without saying, but also take into consideration the name of the show and the titles for the individual artworks. Many artists will admit that there are multiple interpretations of their work and that’s perfectly normal. You may see something different than the artist, or maybe you can add to what the artist feels. There’s no right or wrong answer. No one can tell you how to feel or what to feel, that’s your interpretation to make. All the artist can do is provide you with the information. And even if you do not have the opportunity to meet with the artist personally, you can always ask someone that works for the gallery. As for this artist, I am always open to questions, so feel free to contact me at www.AmyGuidry.com.

6@549

I thought I would share some photos from the opening I had the other night for the 6@549 show. The opening was a big hit at Gallery 549 during the Second Saturday Artwalk for March. The gallery was literally packed with people the entire time. Which is great, of course, but sometimes you can’t get a good view of the art when there’s such a large crowd. So, hopefully this will remind everyone to go by and see the show while it’s still up for the next couple of weeks.

More photos will be posted on my website soon, so check out www.AmyGuidry.com. And if you are in the area, be sure to check out the show. This is a great opportunity to see the work in person. Artists featured are myself (Amy Guidry), Deborah Norsworthy, Diane Pecnik, Lisa Ayres, Marie DesJardins, and Mary Attwood.

I Live in London and Would Like to Purchase Your Art

Awhile back I wrote about a potential scam, which then got me into some hot water. I do feel, however, that it is important to discuss this issue since scams seem to run rampant among the art community. (Do emails from Nigeria ring a bell?) To be clear, I am not talking about art competitions that don’t lead to overnight success. I’m talking about competitions that are dead-ends with someone looking to run off with your money. These are the real scams. Often these are run by people with shady financial backgrounds (bankrupt, etc.), but this is not always easy to find on the internet. So here are some common traits I’ve come across:

First, the organization that’s running the competition is probably one you’ve never heard of before. If you do a search for their name on the internet, you may come up with nothing. If other artists have had success with said competition, they post it on the internet via blogs, press articles, resumes, etc. There will be a trail.

If the organization contacts you directly via email, and again, you’ve never heard of them, then where did they get your contact information? This is not to say that every email you get from a stranger is a scam, but usually the email should at least be directly written to you. If it is a mass emailing, then clearly they are just shooting arrows in hopes of hitting a target.

Who are the jurors? Often scams do not give names of jurors. They can certainly make up jurors as well, so that is why I highly recommend you do your research.

One of the more flagrant traits of an art competition scam is the deadline extension. I’ve seen many legit competitions extend a deadline (for example, the original deadline falls on a holiday) but usually the reason for the extension is stated in such a case. And, not to mention, this is usually done by a competition that is well-recognized in the first place. The ones to worry about are the ones that nobody’s ever heard of and they extend their deadline…again…and again…and again. Keep tabs on their websites and you’ll find this to be true.

Lastly, if the prize money is outlandishly big, but their company looks cheap, then it’s probably a scam. Successful arts organizations that have money to dole out, also have money to hire a great marketing team. Their websites will be top-notch, their logo is well-designed, and there are no grammatical errors on their marketing materials. One of the best examples I discovered was a website with overlapping text and photos. You have 10 grand to give me but you don’t have the money to hire a decent web designer? Oh, and their photos should be of actual events and of their actual gallery, etc. If all they have is stock photography (or NO photography), then something is fishy.

LaGrange National

"Girl on Campus" by Amy Guidry; (c) Amy Guidry 2010
"Girl on Campus" by Amy Guidry; (c) Amy Guidry 2010

I received some exciting news in the mail the other day. My work has been selected for inclusion in the LaGrange National XXVI Biennial Exhibition at the LaGrange Art Museum. The juror for the exhibit happens to be New Orleans’ own J. Richard Gruber, Director of the Ogden Museum of Southern Art. The exhibit will be held at the LaGrange Art Museum in LaGrange, GA. I’ve shown in Atlanta before, but this will be a first for me in LaGrange. So more good news- there will be a color catalog of the exhibition and there will be Purchase Awards granted. I’m keeping my fingers crossed. Okay, details- the exhibit will be on display from February 26th through April 17th, 2010. Hopefully with such a long exhibition period, more of you will have the opportunity to see the work in person. The opening reception, as well as the awards announcements, will be February 26th from 6-8pm. More info to be posted at www.AmyGuidry.com.

Studio Visit

Amy Guidry- Studio Visit Volume 5
Amy Guidry- Studio Visit Volume 5

Well, it seems to me that many artists out there are questioning the upcoming deadline for entries to Studio Visit Magazine. I’ve had quite a few hits to my blog searching for Studio Visit or Studio Visit scam. So, here’s something that I can discuss without getting into trouble for a change. Yes, you should enter! Studio Visit is the sister publication to New American Paintings. Both of which are published by The Open Studios Press. I’m sure many of you are unsure of Studio Visit because you’ve never heard of it. True, it’s new and fairly unknown, but I’ve noticed a remarkable increase in popularity over the past few years, so they are building a following. Studio Visit just started a matter of years ago- 3 or 4, if memory serves. They are lacking the legions of fans of New American Paintings, but that’s not to say they won’t build their own impressive fan base. Good things come to those who wait… or those who with good PR efforts. Regardless, the magazine is a good-looking publication. I’ve been in it before, so I can vouch for their slick presentation. The jurors aren’t too shabby, either. As with New American Paintings (or NAP, for short), they’ve managed to get prestigious museum directors and curators to jury their exhibitions-in-print.

I won’t say that getting into Studio Visit will be the overnight success you are looking for… then again, I wouldn’t say that about anything. However, it will get your work in front of galleries. The magazine is shipped out to galleries and museums all over the place, as is NAP. I can say that I’ve had a gallery contact me as a result and it helped grease the wheels to get me representation with another gallery. It jogs people’s memories and gets them thinking about your work. And when your work is in front of a gallery over and over again, your name starts to stick. So I leave you with this: if you’d like to have your work noticed by important people, in a high-quality publication, then the upcoming deadline is February 5th.

Here’s the Latest…

"Untitled (Heads)" by Amy Guidry; (c) Amy Guidry 2010
"Untitled (Heads)" by Amy Guidry; (c) Amy Guidry 2010

Just a quick post today…sorry, I’m pressed for time and need to get to work in the studio. I have a new painting to share. This is part of my new series (yes, still working on a name for it…I need to pick from the ones that made it to the finals). You can view this series on my website www.AmyGuidry.com. So the new painting is titled “Untitled (Heads)” and is an acrylic on canvas, 20″ x 10.” Not a huge piece, but a good enough size for me to show a lot of detail. I think the pig is my favorite… I’m partial to pigs anyway. This will be part of the group show I will be in at Gallery 549 this March. Oh, and we’ve agreed upon a name- 6@549. Simple, but it works for 6 very different artists.

March Show

"Fragility" by Amy Guidry; (c) Amy Guidry 2010
"Fragility" by Amy Guidry; (c) Amy Guidry 2010

I’m excited about an upcoming show that’s practically right around the corner. Sure, I’m busy preparing, but I’m looking forward to the debut of my new series. I’m still tossing around some ideas as far as names go, but for right now, I’m just calling it my new work. One of these pieces includes “Fragility” which you can see here to the left. It’s a 6″ x 6″ acrylic on canvas and there are more where that came from.

Okay, details… The show is a group exhibit featuring a total of six female artists. My friend, Deborah Norsworthy, coordinated the show (she used to curate) and will be in the exhibit as well as Diane Pecnik, Marie DesJardins, Lisa Ayres, and Mary Attwood. The exhibit opening will be March 13th from 6-8ish PM at Gallery 549 in downtown Lafayette, LA. This all takes place during Second Saturday Artwalk, so if you live in Acadiana, you should be more than familiar with this event. And if you miss it, you can still catch the show through the beginning of April. Photos for this event will be posted at www.AmyGuidry.com!

Surreal Salon

Surreal Salon 2nd Annual Juried Exhibition

I’m excited to announce that my work was recently selected for the Surreal Salon- 2nd Annual Juried Exhibition to be held at the Baton Rouge Gallery Center for Contemporary Art. The Surreal Salon was formerly known as the Surrealist Ball and Juried Exhibition. This year the competition was expanded nationally, featuring 35 artists from across the country. In 2010, the Baton Rouge Gallery will again host a costumed soiree in honor of the Surreal Salon on Saturday, January 23, 2010 at BRG. Selected artists include: Chris Aaron, Baton Rouge LA; Ashley K. Bell, Baton Rouge, LA; Ron Bennett, Waggaman LA; Craig Black, Gonzales LA; Robert Bowen, San Francisco CA; Hannah March Campbell, Baton Rouge LA; Rachel Clark, Knoxville TN; Paul Dean, Baton Rouge LA; Lacey Dupré, Lafayette LA; Henryk Fantazos, Hillsborugh NC; Wylie Garcia, Burlington VT; Victoria Goro-Rapoport, Kearney NE; Morghan Gray, Baton Rouge LA; Amy Guidry, Lafayette LA; Todd Hines, Baton Rouge LA; Walter Hnatysh, Lake Worth FL; David Carlysle Humphreys, Baton Rouge LA; Bruce Humphries, Cheltenham PA; Lisa M. Johnson, Oxford OH; Marlene Llanes, Pasadena TX; Mario Marzan, Carrboro NC; James Russell May, Louisville KY; Mary McBride, Baton Rouge LA; Florence Alfono McEwin, Green River WY; Lee Ann Moser, Baton Rouge LA;
Armin Muhsam, Maryville MO; Melanie Peak, Baton Rouge LA; Russ Revock, Cleveland OH; Blake Sanders, Baton Rouge LA; Christopher Smith, Baton Rouge LA; Madelyn Smoak, Durham NC; Tamara Staser-Meltzer, Petalvma CA; Dyana Walker, Kerrville TX; Emily Williams, Columbus GA; Michael Yankowski, Natchitoches LA

More details soon. http://www.AmyGuidry.com

Forgot to Mention…

"Food or Pet? How Do You Decide" by Amy Guidry, Feast postcard invitation

I’m excited to announce that in addition to the upcoming exhibition at Wally Workman Gallery, my painting “Food or Pet? How Do You Decide?” has been selected for the show invitation! So if you happen to be on the gallery mailing list, be on the lookout. As a reminder, “Feast” opens on December 5th from 6-8pm at Wally Workman Gallery in Austin, TX.