Tag Archives: “art collection”

Art at Home

Sometimes I receive installation images from people after they’ve hung my work in their home.  It’s always nice to see my work again and how it looks in its new space, plus if it’s been included in groupings of work by other artists, that’s always nice to see.  So these are a few shots featuring paintings from my In Our Veins series and Beneath the Surface series.

Installation view of “Complacent” by Amy Guidry; Acrylic on canvas; 48″w x 24″h; (c) Amy Guidry 2017
Installation view of “Expatriate” by Amy Guidry; Acrylic on canvas; 20″w x 10″h (image size); (c) Amy Guidry 2017
Installation view of “Evolution” by Amy Guidry; Acrylic on canvas; 4″ x 4″; (c) Amy Guidry 2017
Installation view of “Coalesce” by Amy Guidry (bottom); Acrylic on canvas; 6″w x 4″h; (c) Amy Guidry 2017; and painting by Betsy Walton (top)
Installation view of “Succession” by Amy Guidry; Acrylic on canvas; 6″w x 12″h (image size); (c) Amy Guidry 2017
Installation view of “Resilient” by Amy Guidry; Acrylic on canvas; 6″w x 4″h; (c) Amy Guidry 2017
Installation view of “Interwoven” by Amy Guidry; Acrylic on canvas; 4″ x 4″; (c) Amy Guidry 2017


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Serendipity and Collecting Art

From my own art collection: Totem by Donald LeBlanc; acrylic on wood

I recently became the proud owner of one of local artist Donald LeBlanc’s totems.  It’s from a collection of wooden totems he produced- I believe this one is #4 (?) from 2010.  Needless to say, I love the piece.  While in the gallery, I did not immediately know where I was going to put it, but I knew I’d find a spot.  Keep in mind my home is currently in transition and many rooms have yet to be painted.  I quickly discovered that I had many possibilities for this sculpture.  With five colors in it, I found that either one or several colors were a perfect or close enough match to existing colors elsewhere in the decor.  The fact that it is wooden also works with an existing collection of wooden folk art objects that I own.  Even the size allows for many possibilities because it’s roughly 7 inches tall (just guessing off the top of my head). Not to mention that once all the walls are painted to more neutral and muted colors, it will allow for even more options.  After moving the piece to various locations, I finally settled on the bedroom.  It just so happens that my accent wall is similar enough to the base of the piece that it works.

I titled this post ‘serendipity,’ but really, when it comes down to it, there is no accidental good fortune involved.  We are visual creatures.  We respond in different ways to various colors or patterns and will gravitate to particular ones.  Take a look in your closet or in your home and you will find that there are certain textures, colors, and/or patterns that tend to repeat themselves.  Which is why when you are drawn to a particular work of art, what attracts you to it is probably the same thing that attracts you to other aspects of your life.  So the real question is not whether a work of art matches your sofa, but whether or not it matches your life and desires.  Does it evoke the feelings you wish to have when you walk in that room?  Does it bring you joy?  Maybe it reminds you of a pleasant memory.  That sofa you have may be comfortable, but it doesn’t carry the emotional weight of a work of art.  And eventually your sofa will need to be replaced- that work of art will be in your home and that of future generations forever.  Don’t worry about whether it matches.  It will.  If a work of art speaks to you, you can’t possibly ignore it.  It was meant to be.



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Prints: An Overview

As some of you may know, I do not offer prints of my work.  I’ve only ever had a handful of people ask me if I make prints of my paintings, so I’ve never felt it was a popular item.  I even took a poll and people were 100% interested in Original Work only.  Many would rather have a small painting than a reproduction.  With that said, I thought it would be useful to give an overview of prints for those of you on the fence about offering prints or if you are looking to purchase a print.

First, the term “print” has become a bit muddied.  I use the term print here because that has become the common understanding, however, print actually comes from the process of printmaking.  Printmaking involves creating an image by etching, drawing, or carving  on various media such as wood, copper, linoleum, stone, fabric, etc. and inking the design before pressing it by hand or through a printing press to transfer the image.  The original work used to create the fine art print is created by the artist and destroyed by the artist afterwards.  Hence, the edition of prints is limited.

Digital prints, reproductions, or giclees are printouts of an existing artwork, usually printed by someone other than the artist, and are never truly limited as anyone can print the image again since it is digital.  (There is no plate to destroy.)  Regardless of the quality of the reproduction, these type of prints do not go up in value as they are not an actual fine art print.  In addition, many of these prints are not even produced with the original work of art present, therefore the colors in the printout will vary from the original.

That being said, I am an artist and having actually studied printmaking as part of my college curriculum, I do have a bias for original art.  However, if you are a fan of Van Gogh, for example, the only way you can feasibly own an image of his work would be through a reproduction.  Be sure to look for high quality, archival materials- meaning they will hold up over time and not fade- when purchasing your prints.  Prints can fade easily not only due to UV exposure, but also humidity, temperature, and even the air.

So next time you are considering a fine art print or a reproduction, here is a glossary of terms to look for:

Aquatint: A process imitating watercolor or wash drawings by etching a microscopic crackle on the copperplate intended for printing.

Artist’s Proof: An early set of prints pulled for the artist’s own use, marked as A.P.  Sometimes (10-30%) higher in value than the regular edition prints.

Drypoint: Engraving technique, especially on copper, in which a needle is used for producing furrows having a burr that is often retained in order to produce a print characterized by soft, velvety black lines.

E.A.: (epreuve d’ artiste) French for Artist’s proof.

Edition: A number of art prints of the same image, all the same size and as close to identical as possible.

Etching: Image created on a metal plate, glass, etc., by the corrosive action of an acid instead of by a burin.

Giclee: Printed artwork or photograph produced by using a high quality digital inkjet printer.

Intaglio: Incised carving, as opposed to carving in relief.

Linoleum Cut (or Linocut): A relief technique using linoleum rather than wood.

Lithography: Image created on a flat, specially prepared stone, with some greasy or oily substance, in which printing ink sticks to the greasy areas.

Mezzotint: A method of engraving on copper or steel by burnishing or scraping away a uniformly roughened surface.

PA: (Prova d’Autore) Italian for Artist’s proof.

Silkscreen (or Serigraph): a printmaking technique in which a mesh cloth is stretched over a wooden frame and the image is painted on the screen or affixed by stencil, and printed by having a squeegee force color through the pores of the material in areas not blocked out by a glue sizing.

Woodcut: Carving into a block of wood in which prints are made from the inked relief areas.



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Take the Poll

I was inspired to post a poll question on Facebook after a few recent requests for prints.  As of now, I do not have prints available and have always been iffy on the subject.  The inquiries and sales of my work have all been original paintings, which is my own personal preference since I have an art collection myself.  However, I have to ask:

What do you prefer to own?  A large print (let’s say 11″ x 14″) or a small painting (we’ll use my paintings as an example, the smallest being 5″ x 5″)?  Or would you rather save for a large painting you’ve had your eye on?  I’d love to get as much feedback as possible to get a more accurate account.

Vote on your answer here- Facebook poll.

Collecting Art

"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide
"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide

I recently purchased a wall sculpture by Fred Daspit and thought it would be nice to share some photos of a few pieces from my art collection. I spend a lot of time showing my work, meeting other artists, and obviously hanging out in galleries, so it’s no surprise that I’d get the collecting bug. It’s one thing to hang your own art in your home, but to have work from other artists in different styles and media is entirely another.

As I was taking photos, I started to consider why I purchased these particular works of art. Given the fact that I am an artist, I thought it might be interesting to consider collecting art from the buyer’s perspective. Obviously I enjoy the art in my collection and find it aesthetically pleasing, but clearly there’s more to it than that. So what drives one to buy art? I think this is something all artists, myself included, have asked ourselves at some point in time. I don’t know that there is any one answer, given there are different buying

Untitled by Tom Ladousa; ceramic
Untitled by Tom Ladousa; ceramic

“styles” out there. However, I do think there are a few common traits amongst buyers. As I said, I buy art because I like it and most people like the art they purchase (those that purchase art solely as an investment may not necessarily like the work).

"Ship" by Troy Dugas; vintage prints on wood panel
"Ship" by Troy Dugas; vintage prints on wood panel

As an artist, I also understand the value of art. I’m well-aware that it took a hell of a lot of time to create that masterpiece I’m about to buy, and it’s only fair that the artist is paid for their time and skill. I don’t give away my work, so I certainly don’t expect anyone else to.

Another factor is liking the artist. It’s not just about liking the work, but also liking the person behind the work. I have purchased from artists I never met, or met after the fact, but most works are by people I know and like. Those I don’t know personally have a good reputation amongst the art community, though.

Lastly, the fact that these artists are in the public eye on a regular basis serves as a great reminder that I should buy their work. And when I say public eye, I don’t necessarily mean they are featured in the news or received some big accolade. It could be their personal emails to me or a postcard invitation to a show. Anytime I see their name, it just reminds me of their work and the fact that I would like to own a piece.

Some people buy on impulse, some buy because it’s just a great deal, but I think it’s safe to say that all of us should get out there and meet and greet if we want to sell art. With that said, if you would like to see and learn more about my work, be sure to check out my website at www.AmyGuidry.com.