Happy to say that my painting On the Rise is in the current issue of Tulane University’s literary arts journal The Tulane Review. On the Rise is an acrylic on canvas, 10″ wide by 20″ high. You can view the painting on my website at this direct link: https://amyguidry.com/on-the-rise.html.
My paintings Dissociate and On the Rise are both in new homes. One is in England and the other in Texas. Different paintings, different countries, but both focus on our treatment of nature and animals. And both serve as a reminder of our connection to the world and our responsibility to care for it. On a side note, On the Rise can be seen in the new August 2018 issue of VIE Magazine. You can view both paintings as well as the rest of the In Our Veins series here: https://amyguidry.com/gallery.html.
I’m happy to announce that my work is featured in the current issue of Vegan Lifestyle Magazine based out of the UK. Several paintings from my In Our Veins series are featured alongside the article. Issue 42 is available for download at: http://www.veganlifestylemagazine.com/.
I’m happy to be able to announce that an interview I did with The Advocate is out now. Patricia Gannon wrote the feature discussing my current series, In Our Veins, and the message behind it. I’m going to quote myself right now, but I think it’s an important point to get across: “We’re capable of destruction but also absolutely amazing things. We can live in harmony in a responsible manner.” I create these paintings to provide a visual of what is going on with our planet, as well as what could be, as a reminder that we are all connected and should all do our part to preserve nature. Read the interview here: http://www.theadvocate.com/acadiana/entertainment_life/patricia_gannon/article_f57aa1b8-0f15-11e7-8675-3f9ca702e2f4.html.
I’m happy to announce that my painting, Exposed, is featured on the cover of the latest issue of VEGAN Magazine out of the Netherlands. In addition, there is an interview featured along with more of my paintings inside. I’ve included images for those that can read Dutch.
I’ve recently finished two new paintings in my In Our Veins series. Encroach is an acrylic on canvas, 6″ by 6.” It serves as a subtle commentary on human intervention in nature while illustrating the connection of the natural world to all life. Reciprocal is the latest addition to the smaller series of paintings within In Our Veins. It is also an acrylic on canvas, 4″ by 4.” Reciprocal conveys the connection to nature by linking flora and fauna and uses the ribbon to continue the recent theme exploring anonymity versus connection.
In The Wild West, a skeletal horse and human hybrid, suggesting our practices of genetic manipulation, serves as a grim tale of foreboding. The skeleton, the horse skull, and the desert are symbols of cowboys and typical Western imagery. Television Westerns would typically portray life as good vs. bad, when in reality, the land, environment, people, and animals were all seen as a means to an end. The title refers to how the U.S., itself a part of the western hemisphere, is still taking over land, animals, and resources to this day, creating desert landscapes via clear-cutting and global warming.
I will have work in the upcoming “Emerging to Established” group exhibition at Krause Gallery in New York, NY in January 2017. The exhibit opens January 7th, 2017 with a reception from 6-8pm and will remain up through January 31st.
I’ve recently finished three new paintings in my In Our Veins series. Two of which are from my smaller, 4″ by 4″ paintings. I was particularly interested in doing a piece on forest clear-cutting because it is the first thing that comes to mind when thinking of global warming. The smaller paintings, Inseparable and Evanescence, are in reference to the connection of all life, which is the overarching theme of this series. View the paintings online: http://amyguidry.com/clear-cut.html, http://amyguidry.com/inseparable.html, and http://amyguidry.com/evanescence.html.