I’m happy to announce that my work is featured in the latest issue of Blue Earth Review. My painting Arise is featured on the cover and several other paintings from the In Our Veins series are inside. Issue 19 is available here: http://blueearthreview.mnsu.edu/issues/.
Sometimes I receive installation images from people after they’ve hung my work in their home. It’s always nice to see my work again and how it looks in its new space, plus if it’s been included in groupings of work by other artists, that’s always nice to see. So these are a few shots featuring paintings from my In Our Veins series and Beneath the Surface series.
These are a few photos from opening night for the “Face to Face” exhibition at LeMieux Galleries in New Orleans. Artists represented by the gallery as well as a few new artists have created their own interpretation of portraiture, ranging from the traditional to the abstract. The show is up now through July 29th, so there’s still time to see the exhibit.
I’m happy to announce that my work has been selected for the 2017 Laluzapalooza at La Luz de Jesus Gallery in Los Angeles, California. I’m honored to be among the 64 international artists chosen for this exhibition. The exhibit will run March 3rd through April 2, 2017. Pre-sales are open now online http://laluzdejesus.com/laluzapalooza-2017/ for those that want to get a head start. There will be an Artist Preview on Thursday, March 2nd, 7-10pm and the public opening reception will be on Friday, March 3rd from 8-11pm.
As mentioned before, I will be showing as part of the “Menagerie” group exhibition at the Amelia Center Gallery at Gulf Coast State College. The show’s opening is just around the corner- this Friday, February 3rd, 5-7pm. I’m honored to be among such a great group of artists and their unique approach to animals in art.
The exhibit will be on display at at Gulf Coast State College in Panama City, Florida from February 3 – March 3, 2017. Artists featured are: Adam Doyle, Katherine Gallagher, Amy Guidry, Laurie Hogin, Gabriel Lovejoy, Chris Musina, and Kevin Taylor.
Several of the small paintings from my In Our Veins series are now $100 for the month of December. There are a few 4″ x 4″ paintings still available as well, so I’ve included them in this group since they are also $100. This offer is available through December 31st, so there’s time for those looking to get something for the holidays or to get a piece they’ve been eyeing for their own walls. To purchase, contact me directly at https://amyguidry.com/contact.html.
I’ve been diligently working on a new painting in my In Our Veins series. I have not decided on a name yet, but it is a representation of the connection of all life to the natural world. The first layer of paint has been roughed in and I’m currently working on the horse, adding color, depth, and detail to the muscles and veins. It is an acrylic on canvas, 20″ wide by 10″ high. View more from this series here.
This week is the last week of my exhibit at LeMieux Galleries in New Orleans. My series, In Our Veins, is on view in the Main Gallery of LeMieux now through September 24th. You can also catch Lee Deigaard’s series, Near and Far.
I’ve had some great response to this body of work, including a feature in American Art Collector Magazine’s September 2016 issue. And Paul Bentley of the New Orleans magazine, Where Y’At, gave me a great review stating: “…Her dreamlike landscapes with animal, human, and natural forms mixing and dancing with each other create beautiful images that seem to be more than just a mere neo-surrealist tribute to Dali or O’Keefe. Her paintings create a dialogue with her obvious predecessors and influences, but they retain an original, calming, eerie, and downright intelligent attitude to them.”
More information on this exhibit can be found on LeMieux’s website.
I’ve finally finished my large painting as well as a couple of smaller pieces. All three are the latest in my In Our Veins series. The first is titled On the Rise and is an acrylic on canvas, 10″ wide by 20″ high. This piece was created in an effort to raise awareness of the plight of animals in the Arctic. Next is Arise, also an acrylic on canvas, 6″ by 6″ square. The skull serves as a landscape for wild horses, linking humans and animals. Lastly is the latest addition to the smaller paintings, Stem, which is 4″ by 4.” The deer wears a wreath of roses, representing their connection to each other and all of nature. View all three paintings online here: On the Rise, Arise, and Stem.
The Frieze art fair in New York has a donkey on display as an “exhibit.” The “artist” is Maurizio Cattelan. The donkey is left standing around in an empty room with a chandelier above. What? This has no meaning, no message, nothing. The artist thinks it connects humans to animals. This couldn’t be further from the truth. Instead, this donkey is on display, an object for our entertainment. This is no different than going to a zoo, other than the pointless chandelier.
Many people are up in arms over the welfare of the donkey. Of course the show promoters argue that the donkey has it “good” and much better than being in a barn. Then again, are animals meant to just live out their lives in a barn?
This is not the first time animals have been used as “art.” Last year there were a dozen horses cooped up in a gallery. And in 2014, tortoises had i-Pads screwed into their shells for an “installation” piece by Cai Guo-Qiang. These are just recent examples that have made headlines. Unfortunately, there are others. In every one of these cases, the artists and the gallery owners all argue that the animals are fine and unharmed. There is no way that they can know this. They just issue some sanitary, generic statement to put the public at ease and go about their day. The animals are not their highest concern.
There is no reason why live animals should be used as art. If you were to replace the animal with a child, you would get a call from Social Services, so how is it any different for any other living being? There are ways to get your message across without using live animals. You’re an artist, get creative and figure out another way. I paint animals, I focus on our connection to the natural world, and I also deal with difficult issues such as habitat destruction and extinction, just to name a few.
If you really want to make a statement, how about going vegan? How about not supporting companies that test on animals? How about rescuing animals rather than using them? That’s a far greater statement than this so-called art.