Currently offering free priority shipping in the U.S. on prints. They are limited editions, signed and numbered, on archival acid-free 100% cotton rag paper, $50 each. Visit https://amyguidry.com/gallery4.html for more details or to contact me for a PayPal invoice (no account needed). Offer valid through Sunday, October 21, 2018.
“Sustain” – paper size 12″ x 12″
“The Wild West” – paper size 11″ x 14,” image size 10″ x 12.5″
“Everything’s Coming Up Roses” – paper size 14″ x 11,” image size 12.5″ x 9.5″
Excited that prints of Sustain have arrived! They are a limited edition run of 50 giclée prints on archival, 100% cotton 230gsm paper. The paper size is 12″ wide by 12″ high. Each print is signed and numbered, and they are $50 each. To arrange shipping and to purchase: https://amyguidry.com/print-sustain.html.
I’m happy to announce that for the first time, my painting Sustain will soon be released as a limited edition run of giclée prints. The overall print size is 12” wide by 12” high with an image size 10” wide by 10” high. It will be a limited edition of 50 prints for $50 each. If you would like to be notified as soon as they are available, contact me via my website at : https://amyguidry.com/contact.html.
These are a few photos from opening night for the “Face to Face” exhibition at LeMieux Galleries in New Orleans. Artists represented by the gallery as well as a few new artists have created their own interpretation of portraiture, ranging from the traditional to the abstract. The show is up now through July 29th, so there’s still time to see the exhibit.
I’ve recently finished two new paintings in my In Our Veins series. Encroach is an acrylic on canvas, 6″ by 6.” It serves as a subtle commentary on human intervention in nature while illustrating the connection of the natural world to all life. Reciprocal is the latest addition to the smaller series of paintings within In Our Veins. It is also an acrylic on canvas, 4″ by 4.” Reciprocal conveys the connection to nature by linking flora and fauna and uses the ribbon to continue the recent theme exploring anonymity versus connection.
I’m happy to say that I’ve just finished Indispensable (the large painting of the horse). This piece has been in the works for a few months, granted I had a couple of projects pop up as I was invited to do them, but this is one of my larger paintings. It is an acrylic on canvas, 20″ wide by 10″ high. Indispensable connects a mountain landscape with a horse, representing the connection of all life while keeping with a recent theme exploring the question of anonymity versus connection. View it online here: https://amyguidry.com/indispensable.html.
I also finished a couple of small paintings I’d been wanting to do. Cor and Corporis (Latin for heart and body, respectively) are acrylic on canvas, 4″ x 4.” Both feature rabbits and are complimentary paintings that work as a pair or as individual pieces, both using ribbon to connect to either the ribcage or the heart. Seeing these organs and bones serves as a reminder of the biological similarities of all sentient beings. View them online here: https://amyguidry.com/corporis.html and here: https://amyguidry.com/cor.html.
My painting, Vitality, will be featured in the upcoming “Wanderlust” exhibit opening this weekend at Modern Eden Gallery. This piece is an acrylic on pressed paper, 5.82″ wide by 4.13″ high. The opening reception will be this Saturday, December 10th, from 6-9pm at Modern Eden Gallery in San Francisco, CA. And if you miss the opening, the show will be up through December 30th.
I’ve recently finished three new paintings in my In Our Veins series. Two of which are from my smaller, 4″ by 4″ paintings. I was particularly interested in doing a piece on forest clear-cutting because it is the first thing that comes to mind when thinking of global warming. The smaller paintings, Inseparable and Evanescence, are in reference to the connection of all life, which is the overarching theme of this series. View the paintings online: http://amyguidry.com/clear-cut.html, http://amyguidry.com/inseparable.html, and http://amyguidry.com/evanescence.html.
My painting Preservation is featured on the current cover of the Denver Quarterly. Aside from being on the cover, I’m also happy to have another opportunity to get the message out regarding animal and ecological welfare. The circle of leaves was an image that came to mind before falling asleep, and I made note of it in my sketchbook. Using the leaves to replace the head (which is in keeping with some recent paintings where I use landscapes or trees in place of heads), represents the connection of all life forms. Nature is so much a part of us that I freely use trees or landscapes in place of heads or limbs, just to emphasize that connection and significance.
The small lot of land the deer stands on is in reference to our dire need to conserve wild land and forests. The natural space is shrinking due to deforestation. All the more reason to plant trees and support organizations that preserve natural habitats.
In many of my paintings, I use the eyes and facial expressions of animals to convey a sense of connection and relatability, but lately I’ve been doing the opposite and feature animals without faces or covered faces. I’ve been exploring the idea of Anonymity vs. Connection- without seeing their faces, does that make them any less personable or meaningful? And how does this apply on a global scale?
The opening for my 2-person exhibition with photographer Lee Deigaard will be this weekend at LeMieux Galleries in New Orleans. The event takes place during White Linen Night on Saturday, August 6th, from 5:30-9:30pm. Recent paintings from my In Our Veins series will be on exhibit in the Main Gallery through September 24th.