I’m happy to announce that for the first time, my painting Sustain will soon be released as a limited edition run of giclée prints. The overall print size is 12” wide by 12” high with an image size 10” wide by 10” high. It will be a limited edition of 50 prints for $50 each. If you would like to be notified as soon as they are available, contact me via my website at : https://amyguidry.com/contact.html.
I’ve compiled a summary of information for those that own art or are thinking of buying a piece but have a few questions regarding the care of artwork.
Tips for Hanging and Arranging Art
Before putting holes in the wall, get someone to hold pieces up so you can take a step back and see how they look. Otherwise, you can trace the outline of each piece onto Kraft paper and cut it out. Then tape the outlines to the wall using blue painter’s tape. This will allow you to move the outlines around until you are happy with the arrangement.
When hanging a single piece on a wall, the center of the image should be about 56”- 60” from the floor. The larger the piece of art, the closer to 56 inches it should be.
When hanging a pair of works, one above the other, treat them as one large picture regardless of their individual sizes. Find the center point between them and use the 56”-60” rule.
For spacing between art on the same wall, use two inches between larger pictures. If they’re all smaller works, use an inch and a half between them. The same rule applies to the spacing above, below, and on either side of each frame.
When hanging art pieces above furniture, the grouping should ideally be about 2/3 the width of the furniture below it. (For example, if an art grouping is being hung over a 60” sofa, the ideal grouping would be about 40” in length.)
When hanging artwork over a sofa or other furniture, leave 4”-8” of space between the top of the sofa/furniture and the bottom of the art.
Arranging multiple works can be done as a grid or the current method of clustering varieties of styles and frames together. These arrangements can be small or take up the entire expanse of a wall. They can even be arranged from floor to ceiling. Start in the middle and work your way out.
Unique Ways to Display Art
Hang art above a shelf of personal objects and collectibles with similar colors to the artwork
Divide a group of frames on mounted picture ledges. Lean and overlap frames; stagger the height of the frames for visual interest.
Highlight a particular work of art by hanging it against a contrasting wall color
Use the “rule of threes”: odd numbers of objects are usually more visually interesting. This works with both symmetrical and asymmetrical arrangements.
Consider the shape and size of your wall surface. A long narrow wall would be a great way to spotlight a tall work of art or multiple small pieces. Even the smallest wall space can be utilized as long as the art is the right size and scale for the area.
Try creating a gallery wall in your stairwell for visual impact
Display a collection of works in the corner of two walls
Hang works centered along a single line just above eye level and let it wraparound to the next wall
A variety of styles and frames can be unified when sharing one wall of color together
Try displaying art on a slanted ceiling
Hang art along the staircase itself
Display art on the back of a door (just be sure the art will not hit the wall when the door is open)
Hang art directly on bookshelves
Try displaying small works of art above door or window frames
How to Create a Gallery Wall in a Small Space
Even if you live in a small space, there’s no need to limit your art collection. A gallery wall is a great way to display your collection and can make a bigger statement than just a single piece. They can provide a small space such as a stairway or a bathroom wall with a strong visual impact and really pull the viewer in. Gallery walls have a personal feel because they consist of works you’ve collected over time, possibly during your travels, and they may take a little time to fill. For this reason, you could opt to do a gallery wall in a more private space of your home. Otherwise, you can simply arrange a small collection together and rearrange as pieces are added over time.
Should Art and Color Scheme Match?
Art can match your color scheme, but it certainly doesn’t have to. In fact, art with a contrasting color scheme can add a visual point of interest to your décor. It can add a pop of color to a neutral color scheme. A colorful work of art can liven up an otherwise boring room.
It would be best to collect what you love first (especially since original art means there’s only one available) and figure out the wall arrangement later. You can always rearrange your collection as pieces are added. And if you really feel the need to match your color scheme, you can always add accent color items such as pillows or lampshades that match a color or two in your art.
Track lighting and recessed cans are the preferred types of fixtures for lighting artwork because of their flexibility for aiming at artwork. Recessed lighting with adjustable heads have a clean look, however they are not as flexible as track lighting.
MR-16 low voltage bulbs are popular for lighting art because of their compact size. They emit a small amount of UV rays which are filtered by the glass lens that comes with most MR-16 fixtures.
PAR 30 bulbs are larger than MR-16s and have a standard screw-in base. They are commonly used in recessed cans and track lighting.
Incandescent flood lights are not suitable for art lighting.
UV light rays are present in sunlight and small amounts in fluorescent and halogen lighting. They cause fading and should be avoided as much as possible.
Light placement should be set so that the light strikes the wall at 30 to 45 degrees, measured to a point at eye level on the wall, approximately 60” from the floor. So for an 8-foot ceiling place your track or recessed cans 20” to 36” away from the wall and for a 10-foot ceiling, 42” to 60” away.
Tips for Hanging Art in Sunlight
Truth be told, the best way to hang art would be in a cool, dark area void of any windows or fluorescent lights. However, this is completely unrealistic and while some works like watercolor cannot be exposed to sunlight, there are some that can withstand some sunlight.
Oil and acrylic paint can typically withstand sunlight, with very little fading. There should be no bare (unpainted) areas of canvas showing, though, since sunlight can damage canvas.
Works on paper such as watercolor and photography should never be hung in direct sunlight. Even indirect sunlight can cause fading. UV plexi glass frames can minimize damage but will not prevent it entirely. It would be best to hang these pieces in an area such as an alcove without windows. Indirect sunlight would need to be limited to no more than several hours a day.
How to Move Art Safely
You should always pack fine art yourself. If you’re using a moving company, they must have experience with fine art, and provide references if at all possible. To be safe, though, it would be best to do it yourself.
First wrap the art with glassine paper, taping the paper to itself (not on the art). A clean cloth (free of any stains or dyes that could transfer) can also be used, especially for sculpture. Cover with a few layers of bubble wrap and hold in place with packing tape. Before boxing, cover the bottom of your box with tissue paper or Kraft paper, place art inside and continue to surround the art with more paper along the sides and top of the box. Be sure to mark the outside of the box as fragile and with “up” arrows as needed. Purchase crate or mirror boxes, or see if your local art supply or home décor store has any extra boxes they would be willing to give for free.
Art is sensitive to heat and humidity, so unless you are using temperature-controlled storage during the move, it needs to be relocated as soon as possible. Letting it sit in the box to acclimate to the climate for a day or two is fine, but it should be removed from the box soon to prevent any warping.
If you have a large collection, you may want to consider hiring a professional art handler. Find someone with many years of experience moving art. If you are moving far, use a company with climate-controlled trucks to avoid any damage from heat or humidity.
Received my copies of the May 2018 Couture issue of Vie Magazine in the mail yesterday. I was excited and honored to see my painting Interconnectfeatured in there as part of a teaser article in anticipation of an upcoming interview. The Couture issue is available on newsstands now.
Very excited to reveal my new painting, Bestow, created for WOW x WOW’s upcoming online exhibition, “Super Reverie.” Bestow is an acrylic on canvas, 6″ wide by 6″ high. I’ve been fascinated by ocelots since a very young age. (And apparently Surrealist painter Salvador Dali is a fan.) As mentioned before, I knew all the big cats so well I could identify them solely by their patterning (without seeing their faces). I paired the ocelot and bees in this piece because of their similar colors and patterns. Because of bees, plants are pollinated and ultimately provide food systems for all animals. The bees surround the ocelot and adorn his head as if they are bestowing him with life. The human eye refers to our connection with all of nature. You can view the painting online here: https://amyguidry.com/bestow.html.
Currently working on a new painting for WOW x WOW’s upcoming online exhibition, “Super Reverie.” I decided to paint an ocelot for this one. When I was a child, I was such a fan of ocelots and big cats that I could identify them solely by the markings on their fur. While the overall ocelot population is currently considered stable, there are only 30 left in the United States in southeast Texas. They used to be found east in Arkansas and Louisiana, as well as throughout Texas and in Mexico. Now they are found only in extreme southern Texas, northeastern Mexico, in addition to Central and South America. Hunting and habitat loss are their biggest threats, which is why a border wall could hinder their roaming for food and breeding.
These are progress photos of the beginning layers of paint as well as much more development of detail to the hair and eyes. The painting is an acrylic on canvas, 6″ wide by 6″ high. Sign up for my newsletter if you’d like to know when the finished piece goes online: https://amyguidry.com/contact.html.
My small painting Sight has just found a new home. This was the first time I’ve painted a barn owl, and I was very happy with the results. I especially enjoyed painting the contrast of the dark eyes against the white feathers. The human eye on his forehead refers to our connection with all of nature. This piece is part of a larger series titled In Our Veins, which you can view online here: https://amyguidry.com/gallery.html.
Making some progress on my current painting. I’m working on the details of the dodo bird’s face and feathers at the moment. There’s still a little work left to do on the background, but I just had to work on the dodo. I took some artistic license on the details. For example, adding folds of skin around the eyes and wrinkles. All the old illustrations and even the model recreations give him a completely smooth face, but after looking at tons of various bird photos, I decided against that and made my own interpretation. This is just a close-up photo- the entire painting is 20″ wide by 10″ high, and is an acrylic on canvas. More details soon. You can view the rest of this series here: https://amyguidry.com/gallery.html.
Another close-up of my dodo painting in progress. This is just the initial rough layer of paint for now. I’ve actually been working on the background, but I won’t reveal too much just yet. So for now, it’s just a little sneak peek. The entire painting is 20″ wide by 10″ high and is an acrylic on canvas. I’ll share more updates soon, in the meantime, you can check out the rest of this series here: http://amyguidry.com/gallery.html.
Close-up of the initial sketch for my upcoming painting featuring a dodo bird. The dodo became extinct around roughly 1662, and since there were no cameras then, I’ve been researching the internet to find out as much as I can via eyewitness descriptions and illustrations from that time period (assuming they’d be fairly accurate but maybe they took artistic liberties as I will be doing). I’ve also been comparing a lot of existing birds as well, ranging from parrots to vultures, and everything in-between. I should mention that I was partly inspired to paint the dodo after reading “The Song of the Dodo” by David Quammen. I highly recommend everyone read it.
Happy to announce my new work for the new year. Just finished Sight, an acrylic on canvas, 4″ wide by 4″ high. It’s the latest addition to my In Our Veins series. Also announcing Reflection, though technically not a 2018 painting, I just recently framed it in an antique frame painted black. Reflection is an acrylic on cardstock, and is 4 1/2″ wide by 5 5/8″ high framed (image size is 4″ tondo). Both of these paintings are currently available, $100 each. Direct inquiries to me here: https://amyguidry.com/contact.html.