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"Fragility" by Amy Guidry, acrylic on canvas, (c) Amy Guidry 2011

Lots going on as of late. I will be revealing a new painting pretty soon. My website is currently getting a makeover which will be unveiled soon, hopefully. And I’ve had shows coming down and new ones about to go up. Recently my painting “Fragility” was sold and has found a new home in NYC. This is one from my latest series of work “In Our Veins.” It’s a 6″ x 6″, acrylic on canvas. I will miss him… “Fragility” was also featured recently on Beautiful Decay along with several other paintings from the series, which you can view at http://beautifuldecay.com/2011/02/21/amy-guidry/.

New Work

"Survival of the Fittest" by Amy Guidry; (c) Amy Guidry 2010
"Survival of the Fittest" by Amy Guidry; (c) Amy Guidry 2010

Well, after several months of diligent painting, I have finally finished my latest work. The photos here don’t do it justice since this piece is insanely detailed and a fairly good size, so check out the larger pic on my website at www.AmyGuidry.com. This painting is from my “In Our Veins” series and is acrylic on canvas, 36 inches wide by 18 inches high. I almost forgot- the title is “Survival of the Fittest.” I’ve always been interested in the notion that one species will harm their own kind in order to survive. In addition, humans will use other species for their own survival, hence the cows. The cows that are falling (or jumping or floating- that’s the viewer’s call) are injuring the cows below them. They are reminiscent of the images from slaughterhouses I’ve seen of cows hanging from large hooks, while the cows below mimic those that have been skinned or butchered. To summarize, the entire image is surreal and maybe even a bit absurd, but I think many times the reasons we kill, be it animals or humans, are absurd.

If you would like to see this painting in person, it is currently at Wally Workman Gallery and will be part of their 30th Anniversary exhibit. The opening and blowout party is August 7th from 6-8pm at Wally Workman Gallery in Austin, TX.

Special Request

Someone recently asked if I ever post photos of my work in progress. Technically yes, but it’s usually just a snippet of a painting. So I dug through some photos for this “photo diary” post of sorts since I actually documented my work on “Untitled.” So here goes:

The initial sketch on canvas for "Untitled"
The initial sketch on canvas for "Untitled"
Making the first mark with paint- very rough initial layer
Making the first mark with paint- very rough initial layer
First layer of paint complete
First layer of paint complete
Adding more layers to the sky and clouds, building it slowly
Adding more layers to the sky and clouds, building it slowly
One of my helpers sleeping on the job.  I inadvertently woke him up with the camera
One of my helpers sleeping on the job. I inadvertently woke him up with the camera
The sky is finished at this point.  More detail has been added to the ground and the cliffs.
The sky is finished at this point. More detail has been added to the ground and the cliffs.
Another helper- testing paintbrush durability
Another helper- testing paintbrush durability
Finishing details such as rocks have been added to the background
Finishing details such as rocks have been added to the background
Adding more layers and detail to the horse head and ribcage
Adding more layers and detail to the horse head and ribcage
Horse head and ribcage are finished, final details added.  More layers added to carcass.
Horse head and ribcage are finished, final details added. More layers added to carcass.
Detail shot of the finished horse head and desert cliffs
Detail shot of the finished horse head and desert cliffs
Finished painting- "Untitled."  (c) Amy Guidry 2010
Finished painting- "Untitled." (c) Amy Guidry 2010

“Untitled” by Amy Guidry; Acrylic on canvas; 30″w x 24″h

To view this painting as well as more of my work, visit www.AmyGuidry.com. And while you are there, if you’d like to be informed about new work and upcoming events, sign up for my monthly newsletter on my contact page.