Excited that prints of Sustain have arrived! They are a limited edition run of 50 giclée prints on archival, 100% cotton 230gsm paper. The paper size is 12″ wide by 12″ high. Each print is signed and numbered, and they are $50 each. To arrange shipping and to purchase: https://amyguidry.com/print-sustain.html.
There are still prints available of my painting, Everything’s Coming Up Roses– the first (and only) time this painting is available as a print. This is a limited edition series of 50 giclée prints, signed and numbered (as you can see above). Each giclée is 100% cotton rag, Acid-free, archival, 230 gsm paper, 14″ wide by 11″ high for $50. View the painting and purchase: http://amyguidry.com/everythings_roses.html
Prints of my painting, Everything’s Coming Up Roses, are in! This is a limited edition run of giclée prints, $50 each plus shipping (usually $7.05 in the United States). They are signed and numbered on 100% cotton rag, Acid-free, archival, 230 gsm paper, 14″ wide by 11″ high. Contact me at: http://amyguidry.com/contact.html.
Well, it seems to me that many artists out there are questioning the upcoming deadline for entries to Studio Visit Magazine. I’ve had quite a few hits to my blog searching for Studio Visit or Studio Visit scam. So, here’s something that I can discuss without getting into trouble for a change. Yes, you should enter! Studio Visit is the sister publication to New American Paintings. Both of which are published by The Open Studios Press. I’m sure many of you are unsure of Studio Visit because you’ve never heard of it. True, it’s new and fairly unknown, but I’ve noticed a remarkable increase in popularity over the past few years, so they are building a following. Studio Visit just started a matter of years ago- 3 or 4, if memory serves. They are lacking the legions of fans of New American Paintings, but that’s not to say they won’t build their own impressive fan base. Good things come to those who wait… or those who with good PR efforts. Regardless, the magazine is a good-looking publication. I’ve been in it before, so I can vouch for their slick presentation. The jurors aren’t too shabby, either. As with New American Paintings (or NAP, for short), they’ve managed to get prestigious museum directors and curators to jury their exhibitions-in-print.
I won’t say that getting into Studio Visit will be the overnight success you are looking for… then again, I wouldn’t say that about anything. However, it will get your work in front of galleries. The magazine is shipped out to galleries and museums all over the place, as is NAP. I can say that I’ve had a gallery contact me as a result and it helped grease the wheels to get me representation with another gallery. It jogs people’s memories and gets them thinking about your work. And when your work is in front of a gallery over and over again, your name starts to stick. So I leave you with this: if you’d like to have your work noticed by important people, in a high-quality publication, then the upcoming deadline is February 5th.